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Deconstructing Contemporary Chinese Art
Selected Critical Writings and Conversations, 2007-2014
Engleski
274 b
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The book contains a range of articles and conversations which offer critically searching insights into the development of contemporary Chinese art both within China and internationally. It brings together selected critical writings, previously published as well as unpublished, by Paul Gladston, one of the foremost international scholars of contemporary Chinese art. The articles are based on extensive first-hand research much of which was carried out during an extended residence in China between 2005 and 2010. In contrast to many other writers on the subject of contemporary Chinese art, Gladston analyses his subject with specific reference to the concerns of critical theory. In his writings he argues consistently for a polylogic (multi-voiced) approach to research and analysis grounded in a granular attention to local, regional and international discursive conditions of artistic production, reception and display.
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