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German Romantic Painting Redefined
Engleski
580 b
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The modernist aesthetic and, later, Nazi ideology split German Romantic painting into two opposed phases, an early progressive movement, represented by Caspar David Friedrich (1774-1840) and Philipp Otto Runge (1777-1810), and a later reactionary one - epitomized by Friedrich Overbeck (1789-1869) and Peter von Cornelius (1783-1867). In this work, Mitchell Frank explores the continuities between these two phases to reconstruct the historical position that existed in the 19th century and to look once again at the Nazarenes - and Overbeck in particular - as a fully integrated part of the Romantic movement. The book makes a contribution to the understanding of German Romanticism and the legacy of this period in European art.
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