The Purple Heights

he tiny brown house cuddling like a wren's nest on the edge of the longest

and deepest of the tide-water coves that cut through Riverton had but

four rooms in all,-the kitchen tacked to the back porch, after the fashion of

South Carolina kitchens, the shed room in which Peter slept, the dining-

room which was the general living-room as well, and his mother's room,

which opened directly off the dining-room, and in which his mother sat all

day and sometimes almost all night at her sewing-machine. When Peter tired

of lying on his tummy on the dining-room floor, trying to draw things on a

bit of slate or paper, he liked to turn his head and watch the cloth moving

swiftly under the jigging needle, and the wheel turning so fast that it made

an indistinct blur, and sang with a droning hum. He could see, too, a corner

of his mother's bed with the patchwork quilt on it. The colors of the quilt

were pleasantly subdued in their old age, and the calico star set in a square

pleased Peter immensely. He thought it a most beautiful quilt. There was

visible almost all of the bureau, an old-fashioned walnut affair with a small,

dim, wavy glass, and drawers which you pulled out by sticking your fingers

under the bunches of flowers that served as knobs. The fireplaces in both

4 MARIE CONWAY OEMLER

rooms were in a shocking state of disrepair, but one didn't mind that, as in

winter a fire burned in them, and in summer they were boarded up with

fireboards covered with cut-out pictures pasted on a background of black

calico. Those gay cut-out pictures were a source of never-ending delight to

Peter, who was intimately acquainted with every flower, bird, cat, puppy,

and child of them. One little girl with a pink parasol and a purple dress,

holding a posy in a lace-paper frill, he would have dearly loved to play with.

Over the mantelpiece in his mother's room hung his father's picture, in a

large gilt frame with an inside border of bright red plush. His father seemed

to have been a merry-faced fellow, with inquiring eyes, plenty of hair, and

a very nice mustache. This picture, under which his mother always kept a

few flowers or some bit of living green, was Peter's sole acquaintance with his

father, except when he trudged with his mother to the cemetery on fine Sun-

days, and traced with his small forefinger the name painted in black letters

on a white wooden cross:

PETER DEVEREAUX CHAMPNEYS Aged 30 Years

It always gave small Peter an uncomfortable sensation to trace that name,

which was also his own, on his father's headboard. It was as if something of

himself stayed out there, very lonesomely, in the deserted burying-ground.

The word "father" never conveyed to him any idea or image except a crayon

portrait and a grave, he being a posthumous child. The really important

figures filling the background of his early days were his mother and big black

Emma Campbell.

Emma Campbell washed clothes in a large wooden tub set on a bench nailed

between the two china-berry trees in the yard. Peter loved those china-berry

trees, covered with masses of sweet-smelling lilac-colored blossoms in the

spring, and with clusters of hard green berries in the summer. The beautiful

feathery foliage made a pleasant shade for Emma Campbell's wash-tubs. Pe-

ter loved to watch her, she looked so important and so cheerful. While she

worked she sang endless "speretuals," in a high, sweet voice that swooped